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(Ratha Yatra Festival in Puri, India / Painting by James Fergusson)
Juggernaut. Lots to say about this one. Make sure your seat is confortable...
I’ve started the writing for this singular piece on November 2, strangely enough beginning with the epilogue. I “completed” it over the following weekend, on November 9. The lyrics, and thus the vocal melodies, remain to be addressed, mainly because I’m not sure which approach is best : the symbolical, the theoretical, or the experiential. The vocals wil
("Primeval Center" )
On a background of Wall Street Bailout and the Large Hadron Collider, “Void” paints the Buddhist concept of emptiness.
In Buddhism, the realization of emptiness of inherent existence is a “state of pure consciousness” in which the practitioner realizes all particular objects and images to be appearances of the subjective mind.
The song is made up of twelve short verses, one longer vocal interlude, and no chorus. The vocal sections are tied together with short in
("Enigma" by Matías Argudín)
The third and fourth parts of “Leaving The Ashram” are respectively entitled “The Tabla Master’s Enigma” and “The Ordinary II.” Our unidentified introspective hero has completed his retreat and is going back to ordinary life.
As I now leave behind the echoes of complaints
The struggles of ego in the hall of constraints
I recall my time here one of introspection
Of intense pondering and of liberation
Long I sat by myself in silence and darkness
One by one noticing the causes
(Detail from "Lenticular cloud")
Given its structure and contents, the second part of “Leftoverturned” could have been entitled “Informaëlstrom II” (ref: "1000 Radios"), but because of the undeniable influence of Modest Mussorgsky’s “Night on Bald Mountain,” the full title finally evolved into “Atmospheric Disturbance Over Balkanian Mountain.” Please don’t ask. But you’re welcome to enjoy the clip.
(... continued from "Leftoverturned part 1")
At first I blamed the offenders
Until I came to recognize