integration (4)

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(Based on « 4D virtual 3x3x3x3 sequential move puzzle, scrambled » by SpinningSpark)



« Integration » is the seventh and final chapter of « The Chrome Lake. »


This instrumental section starts on a chaotic solo piano part which is soon backed up by the rhythm section that plays up the oddness and dissonance. The intent here is to convey the impression of having too many pieces to fit in a puzzle, combined with an urge to complete it.


The disarray slowly gives way to order and steady forward movemen

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"Introspection II" is the fifth section, and second with vocals, of "The Chrome Lake." And as is the case for its almost-but-not-identical twin "Introspection I," the subject matter is pretty much self-explanatory.

Verse
I see you feel restrained, mechanized, dehumanized
I see you feel estranged, incomplete, dissatisfied
Anything for a refuge, an island for your mind, a flight, a break
No amount of diversion or substance will ever dissolve the lake

Low confidence, you can't make a move without a guide

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("Introspection" by Alberto Baumann)

"Introspection I" is the third part, and first vocal section, of "The Chrome Lake," which itself constitutes the core middle chapter of the "Entering The Stream" trilogy.

The title of the whole suite was inspired by Voivod's "X-Ray Mirror" from their "Nothingface" album :

I can't believe I am the image
Within the mirror
Into the chrome lake
The glass is broken
But I look the same

The present part's subject matter is, as implied by its title, looking into oneself. Her

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(Globe of Integration by Eugen Hofbauer, Herbert Kalleitner, and Susi Müller. Photo by Manfred Kielnhofer)

“The Chrome Lake” is the core middle part of “Entering The Stream,” the trilogy which begins with "Into The Ashram" and is completed by "Leaving The Ashram."

Lasting a little over 12 minutes, the suite comprises seven sections identified as follows :

  • 1. Introversion
  • 2. Intervention
  • 3. Introspection I
  • 4. Introspectrumental I
  • 5. Introspection II
  • 6. Introspectrumental II
  • 7. Integration

“Integration” sta

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