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« Into The Ashram » is the first chapter of the « Entering The Stream » trilogy, which also comprises « The Chrome Lake » and « Leaving The Ashram. »

The composition is intended to depict the progress of an individual getting fed up with their day to day life to the point of taking an extended time off for reflection and introspection.

The piece is an instrumental which counts the following four movements :

• The Ordinary
• Running Out Of Breath
• Dweller On The Threshold
• Jambudvipa

In the cosmology of Buddh

("Underwater World" by Felipe Skroski)

« The Dam » is a 22-minute long suite in 8 movements that uses the metaphor of water flowing from source to ocean to illustrate the process that we affectionately refer to as life.

As the title suggest, the focus is directed on one major obstacle/life-changing experience, symbolized by a dam on the river, which the protagonist/narrator has to conquer in order to reach their intended destination.

The storyline is inspired by my own life and struggle to reach th

(« Stromschnelle » by Gerhard Rießbeck)

In « Rapids, » the third part of « The Dam, » the protagonist/narrator is being carried from a mostly disappointing river straight into an heretofore unseen dam.

The intent behind this instrumental section is to convey a feeling of being taken ahead by an unrelenting force, and to let the listener reflect on the discourse presented in « River. »

In the storyline, the rapids represent the rising tension which accompanies the recognition that one's chosen cours

("Stromschnelle" by Gerhard Rießbeck)

In « Rapids, » the third part of « The Dam, » the protagonist/narrator is being carried from a mostly uneventful and rather disappointing river straight into an heretofore unseen dam.

The intent behind this instrumental section is to convey a feeling of being taken ahead by an unrelenting force, and to let the listener reflect on the discourse presented in « River. »

In the storyline, the rapids represent the rising tension which accompanies the recognition th

("Surface Tension" by darkmatter)

In « Surface, » the sixth chapter of « The Dam, » the protagonist/narrator is gradually returning to activity after having transformed into who he feels like being, and will ultimately reach the surface where he will properly begin his new existence.

In the storyline, this step marks the end of a long process of metamorphosis wherein one has endured many transformations and shed that which belongs to their former way of being. Once released from the demanding tr