Blog Posts

("Dance of the Lord of Death" by Jean-Marie Hullot)

« Between Worlds » is a composition that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. Inspired by « The Tibetan Book of the Dead, » the piece eventually turned into a suite in five movements intended to present the successive stages of the death process as described in Tibetan culture.

« Dissolution » is a very short sec

("Maitreya the Conqueror" by Nicholas Roerich)

I read the The Tibetan Book of the Dead twice. I started with a French translation, and then read the Robert A. F. Thurman version. My motivation at the time was to learn more about the death process and what comes after.

At the time, I was agreeably surprised to discover that the text, which is traditionally read to the dead and is intended to guide them through the experiences that the consciousness has during the interval between death and the nex

("Buddha painted on a rock wall in Tibet" by Unknown Artist - photography by onwardtibet.org)

« Between Worlds » is a suite in five movements that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. The original draft eventually became what now constitutes « Departure, » the introductory section of the whole composition.

A few years later, after discovering Buddhism, I acquired

("Akshobhya Buddha" by VanemTao)

« Between Worlds » is a composition that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. Inspired by « The Tibetan Book of the Dead, » the piece eventually turned into a suite in five movements intended to present the successive stages of the death process as described in Tibetan culture.

The last section of « Between Worlds » is entitled «

« Into The Ashram » is the first chapter of the « Entering The Stream » trilogy, which also comprises « The Chrome Lake » and « Leaving The Ashram. »

The composition is intended to depict the progress of an individual getting fed up with their day to day life to the point of taking an extended time off for reflection and introspection.

The piece is an instrumental which counts the following four movements :

• The Ordinary
• Running Out Of Breath
• Dweller On The Threshold
• Jambudvipa

In the cosmology of Buddh

("The Dhyani Buddha Akshobhya" - Unknown Artist)

« Between Worlds » is a composition that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. Inspired by « The Tibetan Book of the Dead, » the piece eventually turned into a suite in five movements intended to present the successive stages of the death process as described in Tibetan culture.

« The Dance Of The Archetypes » culmin

("Primeval Center" )

On a background of Wall Street Bailout and the Large Hadron Collider, “Void” paints the Buddhist concept of emptiness.

From Wikipedia :

In Buddhism, the realization of emptiness of inherent existence is a “state of pure consciousness” in which the practitioner realizes all particular objects and images to be appearances of the subjective mind.

The song is made up of twelve short verses, one longer vocal interlude, and no chorus. The vocal sections are tied together with short in

("Enigma" by Matías Argudín)

The third and fourth parts of “Leaving The Ashram” are respectively entitled “The Tabla Master’s Enigma” and “The Ordinary II.” Our unidentified introspective hero has completed his retreat and is going back to ordinary life.

As I now leave behind the echoes of complaints
The struggles of ego in the hall of constraints
I recall my time here one of introspection
Of intense pondering and of liberation

Long I sat by myself in silence and darkness
One by one noticing the causes

(Ashram by Nicholas Roerich)

An instrumental in 4 movements (The Ordinary, Running Out Of Breath, Dweller On The Threshold, Jambudvipa), the composition aims to evoke the progress of an individual getting fed up with their day to day life to the point of taking an extended time off for reflection and introspection.

In the cosmology of Buddhism, Jambudvipa is the name of the continent of the terrestrial world where ordinary human beings live. From Wikipedia :

It is in Jambudvipa that one may recei

(« Photo of the magnetic field of two bar magnets with like poles close together » by Alexander Wilmer Duff)

In Buddhist culture, there exists the core notion of the three poisons, which are considered to be the cause of all sufferings.

In English, the poisons are generally translated as confusion, desire, and hatred, or variations of these terms.

In my experience, while confusion and hatred are generally grasped correctly, the poison of desire is often misunderstood.

In short, confusion refers to t

(Album Cover for « Samsara » by Christopher Stewart)

Poligraf’s first album will be entitled « Samsara » in reference to the cycle of reincarnation in Buddhist culture.

Samsara is a Sanskrit and Pali term derived from to « flow together, » « to go or pass through states, » « to wander, » and which translates as « continuous movement » or « continuous flowing. »

In Buddhism, it refers to the concept of a cycle of birth and consequent decay and death, in which all beings in the universe participate

(The Wheel of Becoming - Symbolic Representation of Saṃsāra in Tibetan Buddhism)

(Buddha the Conqueror by Nicholas Roerich)