Blog Posts

One day Swamiji tells every problem the Camp has, for example, water pressure, Kids camp space etc.

He laughs when telling about how the smokers wanted a “smoking court” where they could sit down and smoke across the street outside the Camp ! He says only one person should enjoy the Yoga Camp and that’s Him because He designed it ! Everybody laughed. He found it amazing that people would come and live in tents to learn Yoga. He said, “He had Karma to work off in the Laurentian mountains. He said,

Swamiji while walking to school if He saw a Frog in a snake’s mouth He would tap on the snake’s head with a stick to free the frog. He knew it was nature’s way but not while He was there and He could see the frog in distress.

One day at Yoga Camp while looking out His window Swamiji noticed a bug in a spider’s web. Swamiji asked the staff member to remove the bug from the web.

Swamiji had to have a dog put to sleep as the dog couldn’t live due to an accident. That really bothered Him, but He did i

Ruby Blue met Swamiji as she came to Yoga camp in 1967. Swamiji was changing the oil of vehicle. He comes out from under the car wipes His hand off on His shirt puts His hand out to greet and says, “ Hi, I’m Swami Vishnudevananda. She said, “ He was genuine.”

Ruby Blue said,” There are 2 kinds of people in an Ashram, “ High class and no class.”

I asked Ruby, “ Who is teaching the 4:00 class ? She says,” King Kong if they could find him !”

Her husband Henny did everything He could to help Swami Vish

10/2/2010 Excerpt from my daily blog: www.swamivishnudevananda.com

"Swami Sivananda's Famous Glance"

Swami Sivananda’s famous glance was given to people doing something out of the ordinary. Something “off the wall, absurd.”

He would lift His glasses, rest them on His forehead and close one eye that was the signal and everyone working in the office was alerted and probably entertained !

He would take a gold coin and put it into His mouth and write for 5-6 hours. He wrote from his own experience.

If He

("8" by gui.tavares)

The fourth movement from « Octoccata » is entitled « Biorhythalead. » Its title came about from the markers I used to identify each of the sub-sections of the composition.

After a transition reminiscent of « Nothing To Lose » from UK's « Danger Money, » the music moves into a passage featuring contrasting lines that ascend and descend in alternation, thus making the partition (particularly the « Piano Roll » view in SONAR, the MIDI sequencing software I use) look like a bior

Ayurveda studies on basis of Guru Shishya parampara

wherein the Shishya remains with his Guru as a family member andgets the education as a true learner. This system gradually vanished with thedisappearance of Gurukuls. However, it is still a very effective means oftransfer of knowledge from the Gurus (teachers) to Shishyas (students). only arelevant portion of the Samhita (texts of Ayurveda) is being taught in the formof syllabus.

About Ayurveda Corse

Morning Day woke up at 7.00 am and Meditation

("Octoccata Freeway" by Christopher Stewart based on this Interstate Shield)

« Vibrastinato, » the third movement from « Octoccata, » gets its name from the combination of vibraphone and ostinato, and features an abundance of polyrhythms.

The section begins in « Modern Poligrafic Ensemble » mode featuring Christian taking the lead role on the vibraphone. When writing the piece I imagined that, in a live setting, he would be using a MIDI controller instead of a real vibraphone in order to enable h

("eight" by timlewisnm)

« Igorchestral, » the second movement of « Octoccata, » has been thus named because of the inspiration for the music, and the selected arrangement.

Igor Stravinsky is indubitably one of the composers I admire the most. The music he composed for the ballet « The Firebird » stands at the top of my list of favorites. One day while dabbling on the keyboards back in April 1999, I came across a figure somewhat reminiscent of the beginning of « The Augurs of Spring: Dances of th

("1898 New Zealand stamp 8 pence blue" by The Crown)

« Octoccata » is an instrumental suite clocking in at a little over 16 minutes. The title comes from the combination of octatonic and toccata, and is inspired by Emerson, Lake & Palmer‘s adaptation of the fourth movement of Alberto Ginastera‘s first piano concerto, which they published on their « Brain Salad Surgery » album under the title « Toccata. »

The intent here is simply to « make some noise. » In other words, the music is meant to be s

("Ratha Yatra Festival in Puri, India" by James Fergusson)

The third part of « Juggernaut, » entitled « Procession, » evokes the arrival of the juggernaut before it unleashes into a frenzy of steamrolling.

The title and music of this section are both inspired by the origin of the word. From Wikipedia :

One of the most famous of Indian temples is the Jagannath Temple in Puri, Orissa, which has the Ratha Yatra ("chariot procession"), an annual procession of chariots carrying the murtis (statues) of

("A free body diagram of a mass on an inclined plane" by Mets501)

Will the island turn into an archipelago ? More poetry today...

How long have I hankered
For the right way to go
How far have I wandered
To know what I now know

Laying under the moon
Rising up with the crow
And the wail of the loon
In the rain or the glow

How many ups and downs
I had to lose the count
Just as with forms and nouns
To keep climbing the mount

How many times I slipped
Escaping restriction
Expecting to be tripped
By disguised protect

("Surface Tension" by darkmatter)

In « Surface, » the sixth chapter of « The Dam, » the protagonist/narrator is gradually returning to activity after having transformed into who he feels like being, and will ultimately reach the surface where he will properly begin his new existence.

In the storyline, this step marks the end of a long process of metamorphosis wherein one has endured many transformations and shed that which belongs to their former way of being. Once released from the demanding tr

("Multiac Nylon" by poligraf)

Today’s music does not comes from Poligraf’s catalogue as such. Rather, it is a piece for solo guitar that I intend to publish on an album of about ten acoustic compositions, all arranged for classical guitar, either playing solo or accompanied by other acoustic instruments.

The original title of this piece was « Maybe Later, » but I never liked it that much because of the element of doubt and uncertainty that it conveys, which doesn’t fit the music. I reworked some