All Posts (2325)
Sort by
("Ratha Yatra Festival in Puri, India" by James Fergusson)
The third part of « Juggernaut, » entitled « Procession, » evokes the arrival of the juggernaut before it unleashes into a frenzy of steamrolling.
The title and music of this section are both inspired by the origin of the word. From Wikipedia :
One of the most famous of Indian temples is the Jagannath Temple in Puri, Orissa, which has the Ratha Yatra ("chariot procession"), an annual procession of chariots carrying the murtis (statues) of
("A free body diagram of a mass on an inclined plane" by Mets501)
Will the island turn into an archipelago ? More poetry today...
How long have I hankered
For the right way to go
How far have I wandered
To know what I now know
Laying under the moon
Rising up with the crow
And the wail of the loon
In the rain or the glow
How many ups and downs
I had to lose the count
Just as with forms and nouns
To keep climbing the mount
How many times I slipped
Escaping restriction
Expecting to be tripped
By disguised protect
("Surface Tension" by darkmatter)
In « Surface, » the sixth chapter of « The Dam, » the protagonist/narrator is gradually returning to activity after having transformed into who he feels like being, and will ultimately reach the surface where he will properly begin his new existence.
In the storyline, this step marks the end of a long process of metamorphosis wherein one has endured many transformations and shed that which belongs to their former way of being. Once released from the demanding tr
("Multiac Nylon" by poligraf)
Today’s music does not comes from Poligraf’s catalogue as such. Rather, it is a piece for solo guitar that I intend to publish on an album of about ten acoustic compositions, all arranged for classical guitar, either playing solo or accompanied by other acoustic instruments.
The original title of this piece was « Maybe Later, » but I never liked it that much because of the element of doubt and uncertainty that it conveys, which doesn’t fit the music. I reworked some
("Stone Wheel Juggernaut" by Serge Lachinov)
The fifth section of « Juggernaut » is entitled « Resilience, » which is defined as :
The physical property of a material that can return to its original shape or position after deformation that does not exceed its elastic limit.
An occurrence of rebounding or springing back.
In the storyline of the suite, the section portrays the situation after the traumatic experience, the metanoia, as the protagonists are bouncing back from the onslaught of « Steamr
Tonight is Ganesh Chaturthi - Ganesha's birthday.
May all obstacles in your life seem to fade away. But always remember that Ganesha was the one who put the obstacles there in the first place - to make you strong.
("Stromschnelle" by Gerhard Rießbeck)
In « Rapids, » the third part of « The Dam, » the protagonist/narrator is being carried from a mostly uneventful and rather disappointing river straight into an heretofore unseen dam.
The intent behind this instrumental section is to convey a feeling of being taken ahead by an unrelenting force, and to let the listener reflect on the discourse presented in « River. »
In the storyline, the rapids represent the rising tension which accompanies the recognition th
("Magnetic field of two bar magnets with unlike poles" by Alexander Wilmer Duff)
« Come Back » dates back to the epoch of The Fall Children, the band that was supposed to be but never really was, and whose unexpected but timely demise cleared the space which Poligraf needed to come into being.
This is an enigmatic piece for me as both music and lyrics have been reworked and reorganized many times over the years, yet I’m never completely satisfied with the end results, which is kind of strange for
(Detail from "Quarryman at work" by Unidentified Artist)
« Stonecutter » is intended as an anthem to perseverance and is based on one of my favourite citations, one which has helped me on several occasions, the following quote by Jacob August Riis :
When nothing seems to help, I go and look at a stonecutter hammering away at his rock perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two, and I know it was not that blow that did it
In Yoga we often talk of the subtle body (sukshma sharira). This subtle body has its own “physiology” and anatomy. Since this body is thought to exist in a finer dimension, its pathways and structures cannot be detected with the eye or the microscope. Instead, Yogis have intuited the structure of the subtle body in meditation and self-observation. We therefore have an understanding of the channels (nadi-s) and areas (charkas) that are based on their observations, but we have no direct phys
