In Yoga we often talk of the subtle body (sukshma sharira). This subtle body has its own “physiology” and anatomy. Since this body is thought to exist in a finer dimension, its pathways and structures cannot be detected with the eye or the microscope. Instead, Yogis have intuited the structure of the subtle body in meditation and self-observation. We therefore have an understanding of the channels (nadi-s) and areas (charkas) that are based on their observations, but we have no direct phys
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In Yoga we often talk of the subtle body (sukshma sharira). This subtle body has its own “physiology” and anatomy. Since this body is thought to exist in a finer dimension, its pathways and structures cannot be detected with the eye or the microscope. Instead, Yogis have intuited the structure of the subtle body in meditation and self-observation. We therefore have an understanding of the channels (nadi-s) and areas (charkas) that are based on their observations, but we have no direct phys
("Fugue" by Wassily Kandinsky)
The central theme of « In Our Space » is the idea of building, of perhaps finding or reaching, a space where one is free to simply be themselves and do as they feel they should.
At the personal level, this corresponds to finding true purpose and staying in alignment with it, remaining centered at all times in that ideal sacred space, or pure land.
The second part of « In Our Space » is an instrumental entitled « A Space Where We Can Be » which comprises two movement
Remember, only that which you can take with you when you leave the body is important. That means, except meditation, nothing is important. Except awareness, nothing is important, because only awareness cannot be taken away by death. Everything else will be snatched away, because everything else comes from without.
Only awareness wells up within. That cannot be taken away. And the shadows of awareness - compassion, love - they cannot be taken away. They are intrinsic parts of awareness. You will b
sit in some ridiculously uncomfortable position for hours at a time - with your
legs and arms all contorted into some strange posture. But believe me, meditation is n
("Emblem 45" from Atalanta Fugiens by Michael Maier)
The Lepufology Project is the story of Jack Babbitt, regarded as one of the world’s most trustworthy investigators of the paranormal, whose unfaltering curiosity for the mysterious leads on an international chase seeking bizarre rabbits of extra-terrestrial origin that finds its resolution in the tar sands deposits of Alberta.
The fifth and as of yet unwritten chapter is entitled « Lepufology Master Class : The Turnaround, » and is an account
("The Sea of Ice" aka "Polar Sea," aka "The Wreck of Hope" by Caspar David Friedrich)
« Derelict » is the fourth chapter of « Lifeforce » and is a completely instrumental section intended to evoke a dark, chaotic, threatening mood, and to suggest a painful descent.
In the storyline of the suite, the chapter depicts the period when things start to go awry. Inspiration is ignored or resisted and activity slowly subsides. The goal is put aside, only for a while, but long enough for doubt to invade
Towards the end of her life she would not go to Yoga Camp. She said, “ It was not one big family anymore. “ She started crying ... She said, “Swami Vishnudevananda held everyone’s feet to the fire, He made them do the right thing.”
In 1988 Swami Sahajananda told me during Master’s Sivananda 100 year Anniversary That He wanted to freely print 12 volumes on Master Sivananda, Swami Krishnanada said, “No” 8 volumes. Swami S. said I’ll pay for everything. Swami K. said, No.”
Swami Sahajananda started l
("La source de Maafa dans les Aurès en Algérie" by Unknown Photographer)
« The Dam » is a 22-minute long suite in 8 movements that uses the metaphor of water flowing from source to ocean to illustrate the process that we affectionately refer to as life.
As the title suggest, the focus is directed on one major obstacle/life-changing experience, symbolized by a dam on the river, which the protagonist/narrator has to conquer in order to reach their intended destination.
The storyline is inspired by
OM
If you are a yoga teacher,
("Maitreya the Conqueror" by Nicholas Roerich)
I read the The Tibetan Book of the Dead twice. I started with a French translation, and then read the Robert A. F. Thurman version. My motivation at the time was to learn more about the death process and what comes after.
At the time, I was agreeably surprised to discover that the text, which is traditionally read to the dead and is intended to guide them through the experiences that the consciousness has during the interval between death and the nex
- It balances Vata and kapha
- It cleanses the system
- It digests the ama (undigested food)
- It has anti-oxidant properties and improves immunity
- It is a very good appetizer
- It is good for common cold and asthma
- It is good for heart
- It reduces serum cholesterol
- It relieves constipation
- It relieves gas
- It relieves morning sickness in pregnant women
- It relieves pain caused by rheumatoid arthritis
Ingredients
("Two portraits of Ryogen" - Author Unknown - copyright holder is Kiemon Tsuruya)
« Creeper » is an allegory wherein destructive mental processes are compared to creeping plants. The piece depicts four stages of a confrontation between creeper and host : introduction, growth, conquest, and extinction.
The audio clip presents the introduction and verses. As the lyrics suggest, the creeper really represents insidious suggestion, worry, negativity, or doubt, which are generally rooted in ignorance o
("Akshobhya Buddha" by VanemTao)
« Between Worlds » is a composition that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. Inspired by « The Tibetan Book of the Dead, » the piece eventually turned into a suite in five movements intended to present the successive stages of the death process as described in Tibetan culture.
The last section of « Between Worlds » is entitled «
« Into The Ashram » is the first chapter of the « Entering The Stream » trilogy, which also comprises « The Chrome Lake » and « Leaving The Ashram. »
The composition is intended to depict the progress of an individual getting fed up with their day to day life to the point of taking an extended time off for reflection and introspection.
The piece is an instrumental which counts the following four movements :
- The Ordinary
- Running Out Of Breath
- Dweller On The Threshold
- Jambudvipa
In the cosmology of Buddh
