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("Akshobhya Buddha" by VanemTao)
« Between Worlds » is a composition that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. Inspired by « The Tibetan Book of the Dead, » the piece eventually turned into a suite in five movements intended to present the successive stages of the death process as described in Tibetan culture.
The last section of « Between Worlds » is entitled «
« Into The Ashram » is the first chapter of the « Entering The Stream » trilogy, which also comprises « The Chrome Lake » and « Leaving The Ashram. »
The composition is intended to depict the progress of an individual getting fed up with their day to day life to the point of taking an extended time off for reflection and introspection.
The piece is an instrumental which counts the following four movements :
- The Ordinary
- Running Out Of Breath
- Dweller On The Threshold
- Jambudvipa
In the cosmology of Buddh
An ardent disciple of a Master having read many philosophical books, having heard so many of master’s speeches, having gone through much of spiritual literature got bewildered and was in search of ‘one statement’ from the Master that he can follow instead of so many myriads of ideas, concepts, ways and means.
So in search of this one statement he devoutly reaches the feet of the master and asks him:
‘Sir, I have read many. I have heard aplenty. Please teach me one thing that I should do so that it
to look and learn, the door is there and the key is in your hand.
Nobody on earth can give you either the key or the door to open, except
yourself.” Krishnamurti.
("The Dhyani Buddha Akshobhya" - Unknown Artist)
« Between Worlds » is a composition that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. Inspired by « The Tibetan Book of the Dead, » the piece eventually turned into a suite in five movements intended to present the successive stages of the death process as described in Tibetan culture.
« The Dance Of The Archetypes » culmin
("QTC Recycled" based on "Plastic recycle logo PVC" by Tomia)
« Questioning Tasteless Creepers » is one in a series of rehashes which come from reengineered ideas left over from other works. Other pieces of the band's repertoire, such as « Leftoverturned » and « Reinfused, » have also seen the light of day from that recycle/don't-throw-out-anything process.
At the beginning of 2008, Poligraf was selected to perform in the semi-finals of CONGA 2008, a local band contest, which had some specific rul
("Watching The Arrival Of The Mothership" by Mark Brumfield)
The Lepufology Project started as an instrumental composition meant as a tribute to Robert Anton Wilson's book « Quantum Psychology » in which he coins the word lepufology to refer to the study of rabbit-related UFO encounters.
As the composition was intended from the onset to remain instrumental, I decided to write a basic synopsis, more a list of scenes actually, in order to give the piece direction and structure :
1. Alert ! Possible A
Importance of a Dickcha Sanskar from a Sadguru
The time is very fortunate to a person when he takes a Dickchha from a true Sadgurudev and it is said also that the actual birth takes place in a human life when he receives dickchha from asadgurudev and step ahead towards the sadhana according to the goal he has set in his life or received dickchha as per advised by his Sadgurudev. Since a common person does not know what chief goal in his life is and how to be a
successful person in his life. So hav
("Dance of the Lord of Death" by Jean-Marie Hullot)
« Between Worlds » is a composition that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. Inspired by « The Tibetan Book of the Dead, » the piece eventually turned into a suite in five movements intended to present the successive stages of the death process as described in Tibetan culture.
« Dissolution » is a very short sec
the world is tired also.
When your vision has gone
no part of the world
can find you.
Time to go into the dark
where the night has eyes
to recognize its own.
There you can be sure
you are not beyond love.
The dark will be your
womb tonight.
The night
will give you a horizon
further than you can see.
You must learn one thing,
the world was made
to be free in.
Give up all the other worlds
except the one to which you belong.
Sometimes it takes darkness and the sweet
confinement of your alonenes
"The real spiritual progress of the aspirant is measured by the extent to which he achieves inner tranquility." Swami Sivananda
"Silence is not silent. Silence speaks. It speaks most eloquently. Silence is not still. Silence leads. It leads most perfectly."
Sri Chinmoy.
"Inhale, and God approaches you. Hold the inhalation, and God remains with you. Exhale, and you approach God. Hold the exhalation, and surrender to God." Krishnamacharya
("De Profundis 1" by Kate Parry Evans)
« Lifeforce » is the story of a personal catastrophe, an individual end of the world, beginning from a state of inspiration and hyperactivity, through doubt, destabilization, failure, consternation, collapse, and then on to relativisation, assessment, the return of hope, and renewal.
The story is told in non-linear time, beginning just after the collapse, and its various stages are presented as objects of an introspection which will lead to appraisal and pea
("Buddha painted on a rock wall in Tibet" by Unknown Artist - photography by onwardtibet.org)
« Between Worlds » is a suite in five movements that started as a song entitled « Requiem » which was written in response to the deaths of my father and maternal grandmother, both due to cancer, at the beginning of the 1990s. The original draft eventually became what now constitutes « Departure, » the introductory section of the whole composition.
A few years later, after discovering Buddhism, I acquired
