Blog Posts

(« Natural Abalone with conical pearl » by Worldexplorer82)

« Mother Of Pearl» was the last song written in the location where the music for the « The Abode Of The Blessed » EP was composed. Yet, arguably, considering the clear stylistic and thematic distinctions between this opus and the pieces that preceded it, they probably shouldn't belong on the same album. Assuming that I eventually get the chance to properly record the 8 songs and 8 instrumentals put together during that particular period

At some point during this past winter, I thought it would be interesting to see if I could come up with a bunch of songs that I could play on my own, without the need of a backing band. I had always wanted to try my luck at busking, but because of the demands of Poligraf, I never really had the chance to build a repertoire of original songs that require only guitar and vocals, without additional arrangements. Eventually I imagined that 30 songs would be enough, so I set out to write as much in t

« Perfect Magic » is the 9th opus penned for the « 30 Songs for the Sunny Season » project. It was completed on February 6, 2013, and is the first new piece to follow the compositional rush that led to the « The Abode Of The Blessed » EP.

The lyrics were written in an « everything happens for a reason » frame of mind and aim to hint at how each and every life, even the apparently disadvantaged, is blessed with the loving support of the underlying intelligence that unites and animates all beings.

A

« In The Vortex » is an energetic instrumental put together while toying with ideas leftover from « Informaëlstrom » and « Leftoverturned. »

The intent here was to communicate the experience of feeling enthusiastic and determined despite being faced with a demanding or overwhelming challenge.

The title refers to Esther Hicks' concept of the vortex, or to be more precise, to the experience of being in that vortex, a state of mind characterized by purposeful joy and focused forward motion.

The demo i

(« Dance Of Fire » by SarThePhotographer)

« Purposefulness » is the first of a series of short segues that I have put together in the hopes of joining existing compositions into one continuous piece of music.

In order to preserve the surprise, I won't disclose the details of the other compositions, nor the title of the overall resulting piece. Those of you familiar with the repertoire of Poligraf will possibly recognize some of the themes that are revisited in each of the transitions, and will thu

(« Ratha Yatra Festival in Puri, India » by James Fergusson)

The third part of « Juggernaut, » entitled « Procession, » evokes the arrival of the crushing force before it unleashes into a frenzy of steamrolling.

The title and music of this section are both inspired by the origin of the word. From Wikipedia :

The English loanword juggernaut in the sense of "a huge wagon bearing an image of a Hindu god" is from the 17th century, inspired by the Jagannath Temple in Puri, Orissa, which has the Ratha Ya

(« Goldfish Pulling a Snail Cart » by James Pollock)

« Perseverance » is the fourth of the series of segues composed to join the tracks of an album together into one continuous piece of music.

Each of the junctions highlights a specific quality or knowledge that turned out to be crucial to the completion of a project that demanded many years of sustained striving. As the title indicates, « Perseverance » evokes the capacity to keep going at those times when efforts seem insufficient, and success

(Based on « 4D virtual 3x3x3x3 sequential move puzzle, scrambled » by SpinningSpark)

« Integration » is the seventh and final chapter of « The Chrome Lake. »

This instrumental section starts on a chaotic solo piano part which is soon backed up by the rhythm section that plays up the oddness and dissonance. The intent here is to convey the impression of having too many pieces to fit in a puzzle, combined with an urge to complete it.

The disarray slowly gives way to order and steady forward movemen

(« Detail of a poster for the International Hygiene Exhibition 1911 in Dresden » by Franz von Stuck)

« Understanding » is the third segue in the series that I have written as a means of combining earlier compositions into a conceptual piece of nearly one hour in duration.

Each of the miniature musical junctions emphasizes a particular lesson that was learned over the course of a demanding quest, proving essential to the success of the endeavour. In the case of « Understanding, » the acquired know

(« Stromschnelle » by Gerhard Rießbeck)

In « Rapids, » the third part of « The Dam, » the protagonist/narrator is being carried from a mostly disappointing river straight into an heretofore unseen dam.

The intent behind this instrumental section is to convey a feeling of being taken ahead by an unrelenting force, and to let the listener reflect on the discourse presented in « River. »

In the storyline, the rapids represent the rising tension which accompanies the recognition that one's chosen cours

(« Wilesco D36 steamroller » by Morn)

« Steamroller » is the fourth chapter of « Juggernaut. » In the storyline of the suite, it represents the apex of pain, and the metanoia.

The instrumental is one of the most busy pieces of music that I’ve written up to now, and features a personal record for odd meters with an organ riff in 23. It is intended to hit hard and convey a feeling of inexorable mercilessness.

I have no plans to augment the composition with vocals at this point, but here's the poetry

(« Tobyo » from the Bakemono-Dukushi - Unknown Artist)

« Uncoiling I » was originally written in September 2002, elaborating on drafts dating back to September 2000, and was first published in 2004.

At the time the music first came about, it was as if my activities were conspiring to remind me of the composition. I had just moved into a new house, and I had planted about half a dozen small trees which needed to be watered on a daily basis. So there was much coiling and uncoiling of the garden hose

(« The Winged Man » by Odilon Redon)

« The Winged Life » takes its name from William Blake's poem « Eternity » :

He who binds himself to a joy
Does the winged life destroy
But he who kisses the joy as it flies
Lives in eternity's sunrise

This piece is a singularity as far as the poligrafic repertoire is concerned. I didn't aim for innovation or cleverness as I often do because I felt that the best way to let the message through was to keep the music simple. Thus, the composition is about four minutes

("behind the eight ball" by eschipul)

The next segment of « Octoccata » is entitled « Reoctoverture. » Basically, this section is a reprise of the introduction, hence the name, as it restates the theme presented therein, albeit through new and generally heavier variations.

The beginning of this fifth movement is intended as a tribute to Gentle Giant as it mirrors the way in which various fragmentary parts progressively recreate the main theme after the middle section of « Proclamation » (from «

("8" by gui.tavares)

The fourth movement from « Octoccata » is entitled « Biorhythalead. » Its title came about from the markers I used to identify each of the sub-sections of the composition.

After a transition reminiscent of « Nothing To Lose » from UK's « Danger Money, » the music moves into a passage featuring contrasting lines that ascend and descend in alternation, thus making the partition (particularly the « Piano Roll » view in SONAR, the MIDI sequencing software I use) look like a bior

("Multiac Nylon" by poligraf)

Today’s music does not comes from Poligraf’s catalogue as such. Rather, it is a piece for solo guitar that I intend to publish on an album of about ten acoustic compositions, all arranged for classical guitar, either playing solo or accompanied by other acoustic instruments.

The original title of this piece was « Maybe Later, » but I never liked it that much because of the element of doubt and uncertainty that it conveys, which doesn’t fit the music. I reworked some

("Octoccata Freeway" by Christopher Stewart based on this Interstate Shield)

« Vibrastinato, » the third movement from « Octoccata, » gets its name from the combination of vibraphone and ostinato, and features an abundance of polyrhythms.

The section begins in « Modern Poligrafic Ensemble » mode featuring Christian taking the lead role on the vibraphone. When writing the piece I imagined that, in a live setting, he would be using a MIDI controller instead of a real vibraphone in order to enable h

("eight" by timlewisnm)

« Igorchestral, » the second movement of « Octoccata, » has been thus named because of the inspiration for the music, and the selected arrangement.

Igor Stravinsky is indubitably one of the composers I admire the most. The music he composed for the ballet « The Firebird » stands at the top of my list of favorites. One day while dabbling on the keyboards back in April 1999, I came across a figure somewhat reminiscent of the beginning of « The Augurs of Spring: Dances of th

("1898 New Zealand stamp 8 pence blue" by The Crown)

« Octoccata » is an instrumental suite clocking in at a little over 16 minutes. The title comes from the combination of octatonic and toccata, and is inspired by Emerson, Lake & Palmer‘s adaptation of the fourth movement of Alberto Ginastera‘s first piano concerto, which they published on their « Brain Salad Surgery » album under the title « Toccata. »

The intent here is simply to « make some noise. » In other words, the music is meant to be s

(Album Cover for « Samsara » by Christopher Stewart)

Poligraf’s first album will be entitled « Samsara » in reference to the cycle of reincarnation in Buddhist culture.

Samsara is a Sanskrit and Pali term derived from to « flow together, » « to go or pass through states, » « to wander, » and which translates as « continuous movement » or « continuous flowing. »

In Buddhism, it refers to the concept of a cycle of birth and consequent decay and death, in which all beings in the universe participate