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Clocking in at 22 minutes “The Dam” is my longest composition thus far. The piece uses the metaphor of water flowing from source to ocean to illustrate this mysterious process that we usually refer to as life. It comprises eight distinct movements, identified as follows :
- 1. Source
- 2. River
- 3. Rapids
- 4. Dam
- 5. Immersion
- 6. Surface
- 7. Flow
- 8. Ocean
As the title suggest, the focus is directed on one major obstacle/life-changing experience, symbolized by a dam on the river, which the protagonist/narrator ha
(Globe of Integration by Eugen Hofbauer, Herbert Kalleitner, and Susi Müller. Photo by Manfred Kielnhofer)
“The Chrome Lake” is the core middle part of “Entering The Stream,” the trilogy which begins with "Into The Ashram" and is completed by "Leaving The Ashram."
Lasting a little over 12 minutes, the suite comprises seven sections identified as follows :
- 1. Introversion
- 2. Intervention
- 3. Introspection I
- 4. Introspectrumental I
- 5. Introspection II
- 6. Introspectrumental II
- 7. Integration
“Integration” sta
(Ratha Yatra Festival in Puri, India / Painting by James Fergusson)
Juggernaut. Lots to say about this one. Make sure your seat is confortable...
I’ve started the writing for this singular piece on November 2, strangely enough beginning with the epilogue. I “completed” it over the following weekend, on November 9. The lyrics, and thus the vocal melodies, remain to be addressed, mainly because I’m not sure which approach is best : the symbolical, the theoretical, or the experiential. The vocals wil
("Primeval Center" )
On a background of Wall Street Bailout and the Large Hadron Collider, “Void” paints the Buddhist concept of emptiness.
In Buddhism, the realization of emptiness of inherent existence is a “state of pure consciousness” in which the practitioner realizes all particular objects and images to be appearances of the subjective mind.
The song is made up of twelve short verses, one longer vocal interlude, and no chorus. The vocal sections are tied together with short in